Simone Felice - The ProjectorRiding the train down from the Catskills to New York Citys slam poetry scene in 1998, a callow tone deaf kid with little musical skills but verse in his heart. Forming a band with his brothers in 2005 and travelling the world. Hitting Number One in the US and UK with one production collaborator (The Lumineers Cleopatra, 2016), scoring a Mercury Music Prize nomination (Bat For Lashes The Bride, 2016) with another, striding into another side of 2018

add to this John Pirozzi‰۪s fascinating tale of Cambodia‰۪s vibrant pop music scene

It is something that is neither pretty nor wholesome

‰Û÷Beat‰۪ bands in Bombay belted out versions of the latest rock‰۪n‰۪roll hits

he died of liver cancer

The album was produced by Josh Tillman and Jonathan Wilson

the spacier end of the glam era (David Bowie's 'Space Oddity'

with individual worlds ranging from the kaleidoscopic opening/title track through the gargantuan stomp of ‰ÛÏDo I Have To Talk You Into It‰۝ and ubiquitous wiry hooks of ‰ÛÏCan I Sit Next To You" to the bittersweet ‰ÛÏI Ain‰۪t The One‰۝ and beyond

Hailing from Tulsa

More fleshed-out than the La Varieté version

The three members were skilled keyboard players

we are left with a virtual PALACE

When Slowdive disbanded in 1995 music fans widely associated it with the demise of the shoegaze genre