Sani/ Angius/ Vidolin - TempestateNicola Sani does not sterilize art music in a smug, celibate stylistic game with the risk of marginalizing it, in the context of global reception, as an expression of a wealthy minority of the western white bourgeoisie. He outlines a possible contemporary humanism, in which the creative relationship with technology proves to be necessary and fertile, not submissive or idolatrous. It invites you to remember that, in the history of music, the highest

The resounding success Handel's Messiah encountered the first time it was presented in Dublin in 1742 set the scene for it's future

They have also been transmitted in all sorts of different ways

it's taken almost a quarter of a century to reach this point of closure for the Split Series

Antonio Nitti

It's a relationship which has several aspects

These songs are the soundtrack to OFK's twentysomething misadventures

He studied composition in Detmold and Würzburg

Break of Day

the album articulates the responsibility we have as citizens and members of a greater community to question war and injustice

Eylam Keshet began his musical studies at the age of nine

Molardi has undertaken a Renaissance career as not only organist but harpsichordist

As melodies and arrangements come into focus