King Tubby & Riley All Stars ‎| Concrete Jungle Dub LPLovely reissue from the always on point Dub Store out of Japan of this super rare Winston Riley dub album from 1976 that collects together 10 killer Techniques rhythms mixed to perfection by the original dub master himself King Tubby. Home to some great dubs of well known rhythms such as Stalag and Ready Or Not as well as deeper cuts such as the mighty Dread Dub which is a fine example of achieving dubwise perfection with a less is more approach

The combination of Ranking Ann's distinctive vocal delivery and Mad Professor's dubwise expertise make this totally unmissable one of kind stuff with the majority of the tracks being delivered discomix style allowing the Prof to really show off his dubbing skills at the mixing desk

Back In Stock A regular contender for both of the much contested titles of being not only the first but also the greatest dub LP of all time one thing that can't be disputed is that Pick A Dub is an outstanding musical achievement not only within the world of reggae but popular music in general and deserves it's place in any discerning record collection

Production comes from the very talented Brollachan who takes a pleasingly dubbed out approach to the rhythms and both vocal cuts come backed with some seriously wicked dubs courtesy of Lvchessi (who was behind those excellent Burro 12"s I had in a little while back)

Just listen to that thunderous growling bassline

Johnny Osbourne) produced by Jerry Brown and originally released Jerry's Summer Records out of Toronto

the perfect secret weapon for the 45s box

Lovely deep cosmic/jazz/dub vibes featuring some amazing musicianship and singing

Just check the punky UK roots of Most High or the insanely funky Being As We Are in their full length discomix glory

A Freddie McGregor – Rock This Session

A The Soulettes – Let it Be

The result is a sound that sits somewhere in the realms of what Soul II Soul were producing (and in fact it feels like it would have been a perfect fit for their Funki Dreds label in that it is indeed both funky and dread) but I would say it has heavier reggae influences than a lot of their output

A I Know MyselfB I Know Myself Dub