Siva in Indian ArtSivas Iconography is of seminal importance in the history of Indian Art. The present work, Siva in Indian Art, for the first time, presents an exhaustive study of the impact of mythology on the iconography of Siva from the earliest to the 16th century C. E. The author compares the Saiva sculptures of Andhra with their counterparts belonging to the other schools of art like the Pallava, the Chalukya, the Chola, the Rashtrakuta, the Kalinga and others

more life-like presentation

He was named ‘Rama’

A deep sense of exhilaration is manifest on their faces

ranging from pale orange to an intense almost-black coloration

The Saiva philosophy of Kashmir is generally called Trika Sastra

Schopenhauer himself was aware of it

Anantadrishti (of infinite vision)

This is so partly on account of its intrinsic worth as a masterly analysis of trance and as an equally masterly description of the method by which it is reached

reconstituted turquoise and coral are nicely used to create the Ma Lakshmi Temple brass statue

Product Code :3084

Lord Krishna was born of Devki

one of the most popular gods in Hinduism has been chiseled out of brass metal riding an elephant