An Essay on TypographyBorn in 1882, Eric Gill was an artist, letter carver, polemicist, and social reformer. In 1925, he had started drawing alphabets and printing books, and in 1931, this plainspoken little book was a fustian and forceful argument for common sense in design, composed for anyone remotely interested in the subtle and evolving challenge of the typographic arts. Set rag right, with tight word spacing, it is a model of composition. The text, like most of

He reflects on the book’s initial stunning success in an age of political and religious upheaval and makes the case for its enduring relevance at a time when the debates that The Secular City helped ignite have caught fire once again

witty and wise

even for those privileged suburbanites who resided in all-white communities

Sinonim dengan imej pelarian

balletic” (The New York Times)

in Totem and Taboo

its transformation during British colonial rule

Barely 30 years old

Tang further argues that IFED is only one pillar within the New Development Triangle (NDT): sustained economic development also requires strong state capacity and sound socioeconomic policies

scientific thought

When her ex-lover

He is a poet to read and certainly one to watch as he performs his poems