Brandywine in BetweenFrom the Artist Ihad been telling people I believed offset lithography could be elevated from its status as commercial reproduction only to the level of a fine art form. I was not alone, as many articles had been published saying the same thing for 20years. Brandywine [Workshop and Archives, Philadelphia], however, was a pioneer in making fine art offset prints feasible and sustainable. While I was working at Brandywine I met Alvin Loving and, as his

We both agree on its urban beauty andhistorical meritfor the Mexican migration and experience

Ortiz-Pagán's visual art projects tend toward a conceptual focus on how post-industrial and post-colonial communities have been affected by the way our society approaches and trades time

The space of the universe

and religion

and Simone Martini—I realize that

For many years

In this print

louisdelsarte

which have never been fixed

with the four seasons

Working at Brandywine

photocopies